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Interlinear Textus Receptus Bibles shown verse by verse.

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Compares the 1550 Stephanus Textus Receptus with the King James Bible.

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Textus Receptus Bibles

King James Bible (Oxford) 1769

   

30:1I will extol thee, O LORD; for thou hast lifted me up, and hast not made my foes to rejoice over me.
30:2O LORD my God, I cried unto thee, and thou hast healed me.
30:3O LORD, thou hast brought up my soul from the grave: thou hast kept me alive, that I should not go down to the pit.
30:4Sing unto the LORD, O ye saints of his, and give thanks at the remembrance of his holiness.
30:5For his anger endureth but a moment; in his favour is life: weeping may endure for a night, but joy cometh in the morning.
30:6And in my prosperity I said, I shall never be moved.
30:7LORD, by thy favour thou hast made my mountain to stand strong: thou didst hide thy face, and I was troubled.
30:8I cried to thee, O LORD; and unto the LORD I made supplication.
30:9What profit is there in my blood, when I go down to the pit? Shall the dust praise thee? shall it declare thy truth?
30:10Hear, O LORD, and have mercy upon me: LORD, be thou my helper.
30:11Thou hast turned for me my mourning into dancing: thou hast put off my sackcloth, and girded me with gladness;
30:12To the end that my glory may sing praise to thee, and not be silent. O LORD my God, I will give thanks unto thee for ever.
King James Bible (Oxford) 1769

King James Bible (Oxford) 1769

By the mid-18th century the wide variation in the various modernized printed texts of the Authorized Version, combined with the notorious accumulation of misprints, had reached the proportion of a scandal, and the Universities of Oxford and Cambridge both sought to produce an updated standard text. First of the two was the Cambridge edition of 1760, the culmination of twenty-years work by Francis Sawyer Parris, who died in May of that year. This 1760 edition was reprinted without change in 1762 and in John Baskerville's fine folio edition of 1763. This was effectively superseded by the 1769 Oxford edition, edited by Benjamin Blayney.