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Interlinear Textus Receptus Bibles shown verse by verse.

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Compares the 1550 Stephanus Textus Receptus with the King James Bible.

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Textus Receptus Bibles

King James Bible (Oxford) 1769

   

47:1The word of the LORD that came to Jeremiah the prophet against the Philistines, before that Pharaoh smote Gaza.
47:2Thus saith the LORD; Behold, waters rise up out of the north, and shall be an overflowing flood, and shall overflow the land, and all that is therein; the city, and them that dwell therein: then the men shall cry, and all the inhabitants of the land shall howl.
47:3At the noise of the stamping of the hoofs of his strong horses, at the rushing of his chariots, and at the rumbling of his wheels, the fathers shall not look back to their children for feebleness of hands;
47:4Because of the day that cometh to spoil all the Philistines, and to cut off from Tyrus and Zidon every helper that remaineth: for the LORD will spoil the Philistines, the remnant of the country of Caphtor.
47:5Baldness is come upon Gaza; Ashkelon is cut off with the remnant of their valley: how long wilt thou cut thyself?
47:6O thou sword of the LORD, how long will it be ere thou be quiet? put up thyself into thy scabbard, rest, and be still.
47:7How can it be quiet, seeing the LORD hath given it a charge against Ashkelon, and against the sea shore? there hath he appointed it.
King James Bible (Oxford) 1769

King James Bible (Oxford) 1769

By the mid-18th century the wide variation in the various modernized printed texts of the Authorized Version, combined with the notorious accumulation of misprints, had reached the proportion of a scandal, and the Universities of Oxford and Cambridge both sought to produce an updated standard text. First of the two was the Cambridge edition of 1760, the culmination of twenty-years work by Francis Sawyer Parris, who died in May of that year. This 1760 edition was reprinted without change in 1762 and in John Baskerville's fine folio edition of 1763. This was effectively superseded by the 1769 Oxford edition, edited by Benjamin Blayney.